• Piano Aktivitys as a Disciplind Destruktshun (a Piano Work’t) Performance
  • Missing the Boat in Venice
  • Exquisite Moving Corpse
  • 88: Philip Corner, Jack Massing, and Sean Miller
  • Florida Prize 2021 Exhibition
  • The Hodges Effect
  • JEMA Fluxus and Beyond Collection Kit
  • The Music Conservatory for Termites (After Ben Patterson)
  • Drifting Cabinets
  • Crude Life
  • Theseus Wants His Boat Back
  • (CLIF) Communibus Locis Interpretive Foundation
  • (JEMA) John Erickson Museum of Art
    • Events
    • Exhibitions
    • Artist Dream Collection
    • Annex
    • Next Chapter
  • Dream Registry
  • Art Museum Dust Collection
  • Low-Level Chatter Corps
  • Thick Paintings
  • A Charge to Keep - Bush Book
  • A Charge to Keep - Chads
  • Archive
  • STORE
  • CV
  • News
  • Bio
  • Contact
  • Menu

SEAN MILLER

  • Piano Aktivitys as a Disciplind Destruktshun (a Piano Work’t) Performance
  • Missing the Boat in Venice
  • Exquisite Moving Corpse
  • 88: Philip Corner, Jack Massing, and Sean Miller
  • Florida Prize 2021 Exhibition
  • The Hodges Effect
  • JEMA Fluxus and Beyond Collection Kit
  • The Music Conservatory for Termites (After Ben Patterson)
  • Drifting Cabinets
  • Crude Life
  • Theseus Wants His Boat Back
  • (CLIF) Communibus Locis Interpretive Foundation
  • (JEMA) John Erickson Museum of Art
    • Events
    • Exhibitions
    • Artist Dream Collection
    • Annex
    • Next Chapter
  • Dream Registry
  • Art Museum Dust Collection
  • Low-Level Chatter Corps
  • Thick Paintings
  • A Charge to Keep - Bush Book
  • A Charge to Keep - Chads
  • Archive
  • STORE
  • CV
  • News
  • Bio
  • Contact

Matthew Lennon

Sean_Miller_Sculpture2.jpg

Sean Miller in Sculpture Magazine for HorseHead Outdoor Sculpture Exhibition, Seattle

October 30, 1998
Tags: Sean Miller Art, Sean Miller Sculpture, Sean Miller art, Sean Owen Miller, Seattle Artist, Seattle Art Museum, SOIL Gallery, Matthew Lennon, HorseHead Sculpture, University of Florida, JEMA John Erickson Museum of Art
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