• Piano Aktivitys as a Disciplind Destruktshun (a Piano Work’t) Performance
  • Missing the Boat in Venice
  • Exquisite Moving Corpse
  • 88: Philip Corner, Jack Massing, and Sean Miller
  • Florida Prize 2021 Exhibition
  • The Hodges Effect
  • JEMA Fluxus and Beyond Collection Kit
  • The Music Conservatory for Termites (After Ben Patterson)
  • Drifting Cabinets
  • Crude Life
  • Theseus Wants His Boat Back
  • (CLIF) Communibus Locis Interpretive Foundation
  • (JEMA) John Erickson Museum of Art
    • Events
    • Exhibitions
    • Artist Dream Collection
    • Annex
    • Next Chapter
  • Dream Registry
  • Art Museum Dust Collection
  • Low-Level Chatter Corps
  • Thick Paintings
  • A Charge to Keep - Bush Book
  • A Charge to Keep - Chads
  • Archive
  • STORE
  • CV
  • News
  • Bio
  • Contact
  • Menu

SEAN MILLER

  • Piano Aktivitys as a Disciplind Destruktshun (a Piano Work’t) Performance
  • Missing the Boat in Venice
  • Exquisite Moving Corpse
  • 88: Philip Corner, Jack Massing, and Sean Miller
  • Florida Prize 2021 Exhibition
  • The Hodges Effect
  • JEMA Fluxus and Beyond Collection Kit
  • The Music Conservatory for Termites (After Ben Patterson)
  • Drifting Cabinets
  • Crude Life
  • Theseus Wants His Boat Back
  • (CLIF) Communibus Locis Interpretive Foundation
  • (JEMA) John Erickson Museum of Art
    • Events
    • Exhibitions
    • Artist Dream Collection
    • Annex
    • Next Chapter
  • Dream Registry
  • Art Museum Dust Collection
  • Low-Level Chatter Corps
  • Thick Paintings
  • A Charge to Keep - Bush Book
  • A Charge to Keep - Chads
  • Archive
  • STORE
  • CV
  • News
  • Bio
  • Contact

Art Papers review

June 02, 2015

Review, Repurposing the Wunderkammer, March/April Issue, 2015

Prev / Next